Richard Wilbur in "The Writer"

This sort of reference seems to be Wilbur's intent when he notes that his young womans fashion is "at the prow of the category" (3). The sea proposery is continued as he notes that he hears her typing "Like a chain hauled over a gunwale" (6). He repeats the imagery again when he states:

Of her animation story is a great cargo, and some of it heavy:

The image of the institutionalise sailing done the seas of life gives way in the last mentioned portion of the poem to an image of a beautiful just now f matureened doll trapped in a room and fighting to escape. the ship image seems more suited to the sire observing the daughter and understanding what her voyage through life forget be like, while the trapped bird desire escape is more like the older writer ceremonial occasion the younger writer and knowing what it is to search for the right war cry and the right way to express a thought. The starling batters itself against the furniture as it tries to find its way go forth,

For the wits to try it again (25-26).

This is an image reminiscent of the girl sitting at the typewriter, pausing before the finds the right word or though,a t which time she tries it again.

Both images are images of movement, of a search for the right path, for the right way pop out of a dilemma. the father watches and understands, but the girl does not look to the father's help or ask him to explain t

In the memory of the poet, the father and daughter at one time shared an understanding of the trials of the starling and shared in the bird's triumph when at last it broke free and found the open window, soaring out of it and "clearing the sill of the world" (30). The father is now watching the daughter and waiting to share in that same exhilaration as the daughter finds her way as a human be and as a writer. The father knows both sides from his own life, and he knows what will come for the girl in both realms, at least in terms of the sort of thing she will encounter if not the specifics.

The poem by Richard Wilbur is written in three-line stanzas and without rhyme. In each stanza, the first and third line is in tetrameter, while the second line is longer with four meters.

The staple meter is iambic, but there are wide variations, with both unaccented syllables together or with twain accented syllables together, or with a leftover unaccented syllable at the end of a line. Each line offers a separate thought or action, and the effect of the whole is more conversational. The poet uses interesting metaphors for life and for the journey through life. He connects the images he creates to this journey by fashioning small actions take on larger significance, as when he describes the bird finding the right window and leaving through that window as "clearing the sill of the world" (30). The poem divides into two parts in terms of the father's reaction. As noted, he uses the metaphor of the ship in the first part and the story of the bird in the second. At the end of the first, he has a give care: "I wish her a lucky passage" (9). At the end of the second half, he sees more the difficulties involved in life and increases that wish:

When the father stats that the girl is intent on things he only half recalls, he is referring to the memories of his youth when he was setting out on his own. He is the past, and she is the future, but at the same time, father and daughter ar
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