The Joy Luck Club by Amy Tan

In Waverly Jong's case, the receive-daughter transference of strong suit occurs. Waverly knows that the only rules that matter are those of her mother's, and while she cannot understand them she understands they are powerful (she does, after solely, get her salted plums). She enjoys chess because its rules of exercise seem simple in comparison to her mother's manipulations and rules. The main battle between the mothers and daughters is that America and its ways involve freedom of resource as opposed to the more restricted and limiting roles fashi nonpareild for women by patriarchy, Confucianism, and Taoism in Chinese culture. scorn this, the mothers remain fixed to ensure their daughters will become instilled with the whole step of their heritage. As Ying-Ying states when one of her daughters die "I will use this sharp suffering to penetrate my daughter's tough skin and cut her tiger spirit loose. She will fight me, because that is the nature of two tigers. But I will win and give her my spirit, because this is the way a mother lovers her daughter" (Tan 287).

In the select version of Tan's novel, the story opens with a farewell party. The narrator

Joy mess Club, The (Film). Wayne Wang, Director. From the novel by Amy Tan. USA, 1993.

Still, in terms of structure and technique, the film surpasses the novel in the way it more tightly connects the unlike stories of the mothers and experiences of the daughters into one harmonious narrative.

In this way we more readily see that as different as the experiences of all eight are, they are all similar. They all include tragedy and joy. They all express jealous, secrets, hidden pain, and resentment in family dynamics. They all excessively demonstrate that while the daughters are more assimilated into the mainstream culture and beat abandoned their cultural heritage more than their mothers, the lives of the daughters are not a great assume different than were their mothers. However, in parade to keep the film at the standard running quantify of approximately two hours, Wang has had to edit a great deal from the book. At times this makes the characters of the mother's seem more like victims than the unafraid and enduring survivors they come across as in Tan's book. Despite their differences, however, both works reaffirm the validity of women's lives, even if the societie
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