In a 1941 essay,[1] the architectural historian Sir John Summerson called it surface modulation. thenar and ornament has been evident in civilizations since the beginning of recorded history, ranging from antediluvian Egyptian architecture to the apparent lack of ornament of twentieth century Modernist architecture.
The detailed study of Eurasian ornamental forms was begun by Alois Riegl in his formalist study Stilfragen: Grundlegungen zu einer Geschichte der Ornamentik (Problems of style: foundations for a history of ornament) of 1893, who in the process developed his influential concept of the Kunstwollen.[2] Riegl traced formalistic doggedness and development in decorative plant forms from Ancient Egyptian art and other ancient Near Eastern civilizations through with(predicate) the classical world to the arabesque of Islamic art; while the Kunstwollen has hardly a(prenominal) followers today, his basic depth psychology of the development of forms has been confirmed and exquisite by the wider corpus of examples known today.[3] Jessica Rawson has recently extended the analysis to cover...If you want to get a full essay, order it on our website: Orderessay
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