The idea that Ophelia is an essentially insubstantial character is introduced in the language of her first line. As is the case with the arrest for itself, Ophelias first line is a question, in which she asks Laertes,
Do you doubt that?
in response to his request for contact trance he is away. The language employed seems to build Ophelia as a character with no opinion of her birth to offer. The response manages to show devotion to her brother without revealing anything of herself. Not only are her words in response to Laertes, rather than from her own mind, that Shakespeare also uses stichomythia here to give the impression that Ophelia is part of Laertes, an lengthening of the men with which she speaks rather than a character in her own right.
She finishes his line, which could indicates that she complements him rather than meriting her own existence outside of male impression patterns.
This technique is developed in the exchange between Laertes and Ophelia, in which he tells her that
The perfume and suppliance of a minute
No more.
Ophelia replies, No more but so to which Laertes tells her to think it no more. These three statements make up the pentameter, meaning that Ophelias words are missed between those of her brother. The repetition of no more adds to this, in that it seems as though Ophelia is reiterating her brothers ideas rather than expressing her own.
Ophelia does seem to match rather than subvert sexual...If you want to get a in force(p) essay, order it on our website: Orderessay
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