Monday, March 18, 2013

Italian Neorealism

Italian Neo palpableism:

The neorealist heading began in Italy at the end of creation War II as an urgent response to the policy-making turmoil and desperate economic conditions afflicting the country. Directors such as Roberto Rossellini, Vittorio De Sica, and Luchino Visconti took up cameras to focus on lower-class characters and their concerns, using nonprofessional actors, outdoor(a) shooting, (necessarily) very small budgets, and a realist aesthetic. The best-known examples remain De Sicas Bicycle Thieves, a critical and popular phenomenon that opened the solid grounds eyes to this movement, and such key earlier working as Rossellinis Open City, the first major neorealist production. former(a) classics of neorealism include De Sicas Umberto D. and Viscontis La terra trema, but the tendrils of the movement reach back to De Sicas The Children Are Watching Us and forward to Rossellinis The Flowers of St. Francis, as well as to nearly film harborrs who did their apprenticeships in this school, Michelangelo Antonioni and Federico FelliniĆ¢€"and far beyond.

It must be said that neorealist style, the like to the highest degree styles, does not have an inherent political message. The most common attribute of neorealism is location shooting and the nickname of dialogue. The dubbing allowed for filmmakers to move in a more than open miss-en-scene.

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master(prenominal) characters would be portrayed mostly by trained actors era supporting members (and sometimes principals) would be non-actors. The idea was to create a greater sense of realism through the use of real pack rather than all seasoned actors. The rigidity of non-actors gave the scenes more authentic power. This sense of realism made Italian neorealism more than an artistic stance, it came to embody an attitude toward life.

Ideologically, the characteristics of Italian neorealism were:

1. a sore democratic spirit, with emphasis on the value of ordinary people
2. a compassionate point of view and a refusal to make facile (easy) moral judgements
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