The Time Of Anxiety Introduction

Copyrighted Material INTRODUCTION The Poem The maturate of fear begins in fear and doubt, but the four protagonists find virtually comfort in sharing their distress. In even this accidental and temporary community there arises the possibility of what Auden once called local anaesthetic understanding. Certain anxieties may be over­ come not by the altering of geopolitical conditions but by the cultiva­ tion of correlative sympathyperhaps mutual love, even among those who hours before had been strangers. The be on of Anxiety is W. H. Audens last view as­ length poem, his lon­ gest poem, and almost certainly the least­read of his major works. (Its frightfully long, he told his friend Alan Ansen.) It would be in­ teresting to hunch forward what fraction of those who begin reading it persi t s to the end. The p oem is strange and oblique; it pursues in a highly severe form many of Audens long­term fascinations. Its musical rhythm imitates medieval alliterative verse, which Auden had been drawn to as an undergraduate when he attended J.R.R.

Tolkiens lectures in Anglo­Saxon philology, and which cl earliest influences the poems of his early twenties. The Age of Anxiety is largely a psychotic personlogical, or psycho­ historical, poem, and these were the categories in which Auden pre­ ferred to think in his early adulthood (including his undergraduate years at Oxford, when he enjoyed the rol e of confidential amateur analys! t for his friends). The poem also embraces Audens interest in, among new(prenominal) things, the archetypal theories of Carl Gustav Jung, Jewish mysticism, English murder mysteries, and the linguistic and heathenish differences between England and America. Woven through it is his nearly...If you want to get a full essay, magnitude it on our website: OrderEssay.net

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