The wife's Lament

We see she is the miss of a respected king and that she has the respect and empathy of her community, "None doubted why the daughter of Hoc / bewailed her doom when dawning came" (Finnsburg, 1). This is in contrast to the lowly point of the narrator in The Wife's Lament. She mourns because she is exiled from her relatives and husband, is doomed to poverty, and faces a lonely onetime(a) age surrounded by hostile neighbors, "This cave is middle-aged - I am all oppressed - / the valleys dim, mountains steep - a bitter home!" (Wife's, 2).

There is a distinct departure between the emotional distress of Hildeburh and the female narrator. In the nerve of Hildeburh, she is mournful because she has lost her son, brother, and husband to death. She is in valid injure and anguish, "when dawning came, / and under the sky she saw them lying, / kinsmen murdered, where most she had kenned / of the sweets of the earth!" (Finnsburg, 1). We argon told that with the death of the three closest to her, Hildeburh is not precisely justified in bewailing her

losses but she does not have to heed the Frisian rule of honor with respect to regret their enemies, "Hildeburh needed not stand up in value / her enemies' honor!" (Finnsburg, 1). Thus, we see that the pain, anguish, and mourning of Hildeburh are brought about by justifiable circumstances that transcend even off the conflict between the Frisians and Danes.

"The Wife's Lament." Viewed on Feb 3, 2005: http://www.unbsj.ca/ arts/side/jones/mt/archives/000793.html, Apr 30, 2004, 1-3.

"The Finnsburg Fragment." Viewed on Feb 3, 2005: http://www. alcyone.com/max/ lighted/beowulf/xvi.html, 1-3.

In conclusion, we potty see that both of these women were basically apply as pawns by men to help promote tranquility in a war-torn era. However, the women are of quite several(predicate) stations and social positions. Yet the lament of the narrator married woman may invoke empathy but not real sympathy, peculiarly after reading of the enormous loss of Hildeburh. Therefore, while we can interpret with both women we can more readily empathize with the less selfish bewailing of Hildeburh than we can with the narrator wife mourning for lost love.

In the case of the
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